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Showing posts with the label Literary criticism

Imitation in Aristotle's Poetics

 An Essay on Imitation, Poetics by Aristotle Aristotle (384-322 BC) was a Greek philosopher and polymath during the classical period in ancient Greece. He was a great genius who is supposed to have written about 400 books. He was the student Plato and teacher of Alexander. He was the founder of Lyceum,  the peripetetic school of philosophy. He made significant contribution in the form of  treatise. Some of his greatest treatise are: Politics, Metaphysics, On the Soul, The Alexander, Rhetoric, Dialogues, On Monarchy,  Education Ethics, Natural History, Physics and Poetics . Most of his works are not traceable. Even one of his greatest works 'Poetics' is not available in original form; only a translation of "Poetics" is available. The "Poetics" is a fragmentary and incomplete work of Literary criticism. It deals with the tragedy, comedy and epic. In spite of its fragmentary nature 'Poetics' has come down to us as an authoritative treatise of the art ...

T.S. Eliot's concept of objective correlative

Objective correlative Objective correlative, literary theory first set forth by T.S. Eliot in the essay “ Hamlet and His Problems ” and published in The Sacred Wood (1920). According to the theory, The only way of expressing emotion in the form of art is by finding an “objectivecorrelative”;  in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts,which must terminate in sensory experience, are given, the emotion is immediately evoked. The term was originally used in the 19th century by the painter Washington Allston in his lectures on art to suggest the relation between the mind and the external world. This notion was enlarged upon by George Santayana in Interpretations of Poetry and Religion (1900). Santayana suggested that correlative objects could not only express a poet’s feeling but also evoke it. Critics have argued that Eliot’s idea was influenced, as was much of Eliot’s work, ...