Natyashastra by Bharatmuni
Rasa Theory in Natyashastra Bharatmuni was an ancient Indian theatrologist and musicologist. He is considered the father of Indian theatrical art forms. He wrote the Natyashastra during the period between 200 BCE and 200 CE in classical India. It is a Sanskrit treatise on the performing arts. The text of Natyashastra consists of 36 chapters or 6000 poetic verses (slokas) describing performance arts. The subjects covered by treatise include: the sentiments, the states, the histrionic representation (abhinaya), the practice (dharmi), the styles (vritti), the success (siddhi), the notes (svara), the instrumental music ( atodya), songs and the stage. Natyashastra is also notable for its aesthetic sentiments ( Rasa ) theory. Rasa literally means "taste" or "savor", and, as used to denote the essence of poetry. Bharatmuni wrote in Natyashastra: " no composition can be proceed without rasa" . Rasa is an individual experience brought through the expres